Looking at Renaissance masters I discovered that not many saw animals as a worthy subject to draw. Albrecht Durer and Leonardo Da Vinci are two of such masters. During this period, most artist believed the drawing of animal form was only used to show the artist talent to show detail.
Durer or Duerer, Albrecht (1471-1528) The Rhinoceros, 1515 (woodcut) |
Wing of a Blue Roller, 1512 (w/c on vellum with gold) Durer or Duerer, Albrecht (1471-1528) |
Three studies of a bullfinch (w/c & gouache on paper) Durer or Duerer, Albrecht (1471-1528 |
Study of a Horse (metal point on paper) (b/w photo) Vinci, Leonardo da |
Study of a dog and a cat, c.1480 (metalpoint on paper) Vinci, Leonardo da (1452-1519) |
Studies of Horses legs (pen and ink on paper) Vinci, Leonardo da (1452-1519) Study of Horsemen in Combat, 1503-4 (pen and ink on paper) Vinci, Leonardo da (1452-1519) |
Monkeys, from The Vallardi Album (pen & ink on paper) (b/w photo) Pisanello, Antonio (1395-1455) |
Two horses, from the The Vallardi Album (pen & ink on paper) (b/w photo) Pisanello, Antonio (1395-1455) |
Bounding cheetah with a red collar (w/c on parchment) Pisanello, Antonio (1395-1455) |
Exercise: Grabbing the chance
My dog Shadow |
My model was not very willing. She kept moving away if I looked at her too long, or jumped on me thinking I was playing. This was challenging for me as drawing animals is not my best subject.
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