The second tutor report has been delivered some time ago. He says I'm progressing well but I need to work on a few points in order to make steady improvement that is needed to prepare for assessment.
My tutor was happy with the varied media and mark making used but is concerned about how I show the light direction, shadow, reflection, definition between objects and three-dimensional depth. Comments were also made about my use of black to edge my vegetables in one of my still lives and on the pan in another which can kill form which made it loose its roundness.
My pencil drawing of the flowers and the lamp he says is one of my better drawings as the line definition is clearer and shows more evidence of light direction and surface light on objects. Attention is still needed on the immediate shadow under the objects and he would like to see a much stronger and variable colour in the leaves.
It was noted that I have very little in the way of animals in my log book and that I obviously struggle with this subject.
Suggested Reading:
Goya:Drawings from his private albums by Juliet Wilson-Bareau
Cezanne:A Cezanne Sketchbook:figures, portraits, landscapes and still lives
Both books I have now purchased and given the report, I can see why he recommended this books for me.
Pointers for the next assignment:
1. More awareness of light direction, immediate shadow under objects, cast shadow, light on surface.
2. More contrast between light and dark.
3. Definition of line but not too thick lines.
4. Spatial depth.
5. Controlling the use of black.
I emailed my tutor for advice about the next section of landscape work as I do not feel at ease with this subject. He suggested that I join a group of local people either via OCA web site, a local self run group or to pay for tutoring in a similar group.
I joined a local college for a one evening a week life drawing course, booked 3 one day pastel monthly workshops, and joined Hertford Art Society. All far too much I now realise along with a full time job, drawing and painting and a photography course with OCA. I found I had taken on so much I couldn't cope and lost my inclination to pick up a pencil.
My photography course is on hold until I finish the drawing one course so that I can concentrate on one subject at a time and I've dropped the life drawing at college. I going to continue attending one evening a week the Hertford Art Society. This is very relaxed and I can attend as many weeks as I wish. Every other week is a practical drawing or painting untutored session and the other weeks are critiques, talks or demonstrations.
Having spoken to OCA about my various problems it was suggested by them that I change tutors which I have now done.
I contacted my new tutor and had the pep talk and now have the pencil securely in my grasp. He seems to be the inspiration I needed to get me back on track.
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